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想看制作現(xiàn)場我去看白箱啊，想看監(jiān)督任性底下人痛苦面具我去看庵野紀錄片啊，我干嘛看這個？本來想著是個職場劇，結果劇情構成矛盾沖突和靠洗白來塑造人物全部都太日式了（貶義），日式到了讓人不適的程度……聽說這個鍋辻村不背，求求哪個出版社引進下原作啊……實在不行我考慮啃下原作了……

劇情有明顯漏洞。臘腸和豪豬都逃走了，他們是怎么知道熊他們去寵物天堂的？

Hard to get in at first, but not long after you'll realize it's still the 90s classic body horror Cronenberg, which not just those weird biomechanic machines, but the conflict, rebellion, evolution, so on and so forth. It's definitely the most sexualized Cronenberg movie. Everyone in the film is so obnoxious, but ultra seductive, except the black dude. WTF is that acting? Is that a joke?

假作真時真亦假，真作假時假亦真。最后沒拍肩膀，真是太美了，一切盡在不言中。拜倫有首詩說，“假若他日重逢，我將何以賀你，以沉默，以淚流。

好久好久沒看黃秋生和李燦森了，他們的戲就是很港味，女主扣分項。